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Facebook is my main news hub where I share upcoming releases, gigs, photos, videos, and blogs. Typically, I post 3–5 times a week.

Telegram and Twitter duplicate what I post on Facebook, with occasional extra content.

On Vkontakte, I write in the Russian language for my fans out of from Russia and CIS.

I also upload vlogs and gigs videos on YouTube and share travel photos, selfies, and studio routine on Instagram.

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Time traveller’s archive — 14

Some stuff to read (and watch) on the weekend

Aleksey aka Sonic Elysium on sound design
  1. Ultimate Kick and Bass Tutorial by Sonic Elysium. Kick and bass are probably two of the most frequently asked topics, people asking how to synthesise it, how to EQ, how to fit them together. And I’ve written pretty much all about it, see “Kick and bass” tag. However, if you prefer to watch rather than read, I highly recommend watching this tutorial by Sonic Elysium, he nailed it.
  2. TechMuze Academy podcast with Budi Voogt. Interesting talk about marketing, promo campaigns, and automations. “Do you see a benefit in paid ad campaigns for producers? I’m actually inclined to say no to Facebook and Instagram [...] Revenue streams in music are very indirect. ”
  3. Is DJing just about beat matching? Great blog, as always from John 00 Fleming. I’ve also written about it before, see Vinyl vs. Sync button.
  4. A Beginner’s Guide To Audio Cables. If you don’t know what is balanced or unbalanced cable or what the difference between RCA and XLR — this article on DJ TechTools is right for you.

Time traveller’s archive — 13

Some stuff to read (and watch) on the weekend

Eduardo Briceño talk at TEDx Manhattan Beach
  1. Eduardo Briceño: How to get better at the things you care about. I like how Eduardo separate activity between learning and performing, and funny enough, I’ve been using pretty much the same technique for quite some time. “Research shows that after the first couple of years working in a profession, performance usually plateaus. This has been shown to be true in teaching, general medicine, nursing and other fields, and it happens because once we think we have become good enough, adequate, then we stop spending time in the learning zone. We focus all our time on just doing our job, performing, which turns out not to be a great way to improve. But the people who continue to spend time in the learning zone do continue to always improve. The best salespeople at least once a week do activities with the goal of improvement. They read to extend their knowledge, consult with colleagues or domain experts, try out new strategies, solicit feedback and reflect. The best chess players spend a lot of time not playing games of chess, which would be their performance zone, but trying to predict the moves grand masters made and analyzing them. Each of us has probably spent many, many, many hours typing on a computer without getting faster, but if we spent 10 to 20 minutes each day fully concentrating on typing 10 to 20 percent faster than our current reliable speed, we would get faster, especially if we also identified what mistakes we’re making and practiced typing those words. That’s deliberate practice.”
  2. Research this music industry. Great blog, as always from John 00 Fleming. It’s posted in 2013 but its value hasn’t become any less since then: “Also look into the mechanics of how this industry works, many will have a track released and expect the label to get them bookings? The job of a label is to get your track (and name) marketed making sure it gets to the right DJ’s, into the right shops for sale, air play on radio shows and online and in magazines. Labels don’t have databases full of promoters and club owners, they have no need? The gig side of things falls to agents, its two completely different businesses that many think are one. A good label with assist an agent due to the marketing they provide, it makes the agent’s job easier to get gigs due to the exposure the label is giving the artist. ”
  3. Native Instruments: Making strummed acoustic 2. If you ever wondered how those guitar samples that you probably have in your library has been made of, this is gonna be interesting reading for you: “For the recording sessions, we teamed up with three different guitarists – each brought a fresh perspective and lots of great input. We focused on staying in the creative spirit as we wanted every recording to have the feel of a real take on a real track. So we would always warm up with a jam, and instead of recording to clicktrack, we used various drum tracks to help the guitarists perform each pattern with a distinct attitude. It makes sense that the more musicality goes into the recordings, the more comes out in the final product. Recording lasted around 6 months.”

Blacklisted: Drexander

We had a nice release out yesterday on JOOF from a guy called Samer Soltan aka “Drexander”, two atmospheric Progressive tracks. But turns out, this guy is a con man: he stole other artists’ music. He not just make similar tracks, not even take some samples, but literally take other guys’ tracks and says: “Hey, this is my music”. Moreover, this guy has also tricked other labels in the past, even big ones like Armada.

I deliberately want to make this info public because I believe there is no place for frauds in music. I can’t stand this especially being a producer myself. Whether you are a label, musician, agent, promoter, or listener, be sure to add that con man to your blacklist.

2017   A&R   Music industry

John Dopping on music sales

Do you remember my advice The truth about music sales, posted last year? Yesterday John Dopping from Research & Development posted his opinion on that, pretty much confirming what I was written about:

“Let me make one thing perfectly clear. Almost every ‘producer’ that appears in the Beatport top 100 makes absolutely no income from their work. Beatport take a cut, the distributor takes a cut (and tries to con labels out of money in a plethora of ways that I’m happy to elaborate on), labels invent artificial ‘expenses’ (which, as a label owner, I can tell you are completely bogus). After all that, the label typically contrives an arbitrary ‘minimum income payout’ which means they don’t have to pay the artist until they earn up to £100 or more, which is, basically, never.”

These are the sad realities of the current music industry state that many producers don’t want to talk about, but I think it shouldn’t be hidden. If you are an upcoming producer, keep that in mind.

Link to the original post

2017   Music industry

“Is it worth releasing on a compilation?”

Do you think it’s worth to sign a track on a compilation? I’ve got a message from one particular label that interesting in signing me up, they said they’ll do the mastering and stuff but I’m not sure whether I want it in the first place because that compilation seems to be a multi-genre medley. Perhaps you have some experience releasing on compilations?

Radio Dynamica

To answer this question, you have to make a research to see what kind of compilation it is because not all compilations are equally good.

Due to my nature, I often organise things by categories so I came up with three tiers of compilations.

“Shitty” compilations

“Techno Trance 2014 – 30 Top Best Of Hits, Acid, House, Rave Music, Electro Goa Hard Dance, Psytrance” by EDM Records; “Space Trance Vol. 2 State of Universe, an Ultimate Voyage into Electro Trance” by GR8 Trance Music

The first and probably the most common compilation type I call “shitty compilations”, as you can guess the name is pretty self-explanatory. You can easily identify a compilation from this category by its terribly bad cover artworks and the titles like “100 Top Best Future EDM [put any random word here] Psytrance Hits”.

The only reason why such compilations exist is because their labels want to make money. Artists, decency, and reputation are not the things they care about.

“Recycling” compilations

“Goa Culture Vol. 34” by Yellow Sunshine Explosion; “Universal Frequencies Vol. 2” by Digital Om Productions

These compilations usually curated by the label’s DJs, and basically they recycling tracks from the previously released albums and singles. Don’t get me wrong: recycling is a good thing. It gives listeners an opportunity to catch up some tracks they probably missed, and also gives some extra income and exposure to the label and the artists.

As you can see, these compilations typically has much better visual look as well. They also often hit the top charts because over time they’ve built a reputation of a quality content provider.

“Featured showcase” compilations

“JOOF Editions Vol. 3” by JOOF Recordings, “Full On Fluoro Vol.1” by Perfecto Fluoro

Featured compilations are long-awaited releases that showcase the label where it currently stands and where it heading to. The tracks selection is picked very carefully, sometimes artists make new track specifically to get into tracklistings so the compilation often includes previously unreleased works.

Typically, such compilations generate a solid buzz in social media and press and also hit the top charts. That’s the reason why most artists want to be featured on a compilation like that, but not everyone can get there.

***

I want to say it again, do your research first, see what kind of compilation is it, check the label and their previous releases. Is it a credible name? What other artists are released there? Otherwise you may end up on a compilation from the first category which would give nothing but a bad reputation. Or, perhaps, you should make a solo release instead?

Read also:

2017   Advice   Music industry

Bad stage name?

I had an interesting conversation today, I’ve been told that my stage name “Daniel Lesden” is associated with Trance or Techno music but not with Psytrance, and this is why I presumably don’t get enough attention from the Psychedelic community (despite the fact my album is currently #1 at Psytrance CDs charts).

What do you think about it guys? Is this really the case? It seems that for Psytrance producers it’s become a habit to use superheroes or famous characters’ names, but I don’t get what’s wrong in having a real name as a part of the alias? After all, aren’t musicians supposed to be judged by... well, you know, music?

2017   Music industry   Psy scene   Question

Time traveller’s archive — 12

Some stuff to read (and watch) on the weekend

John 00 Fleming doing his first Facebook livestream
  1. John 00 Fleming Q&A talk. John gave a nice almost 1,5 hours-long Q&A session prior to his set at Avalon and people asked a lot about the Trance scene which was quite interesting to listen. I like his advice for bedroom producers: “Best advice is keep it as a hobby and stay in love of it because a lot of people think they gonna hit ‘X-factor’, like a quick romantic story. It’s like you get a track, three months later you gonna be touring around the world, and that’s how the magic happens. But it is much more than that. It only happens for certain people. You’ll get angry, you’ll get stressed if you think that. Sort your day-to-day life first, get your day-time job which pays your bills, and slowly invest some extra money in music. At some point you’ll notice that your hobby will become more serious. But it takes a long time”.
  2. Making of “The Prodigy – Voodoo People” in Ableton by Jim Pavloff. This is quite an old video but I just stumbled across it recently. Great job on sampling. I didn’t know Liam Howlett sampled so many songs back then. Watching this video makes realize how I love Ableton, working with audio channels and processing are so convenient in this DAW. Watch also the other two tracks recreated by Jim Pavloff, you can find it on this YouTube channel.
  3. The Berghain Backstory: Building Berlin’s Most Legendary Nightclub. Some nice behind the scenes of one of the most important nightclubs in the world of underground Techno music.
  4. Rewriting bad writing. Nice advice, as always from the Basecamp team. This time on writing: “While writing isn’t an easy skill, people make it way harder than it needs to be. They think choosing complex language shows skill and smarts. It doesn’t! Writing plainly and clearly does.”
2017   Music industry   Music production   Sound design   Time traveller's archive

Time traveller’s archive — 11

Some stuff to read (and watch) on the weekend

Richie Hawtin explains his DJ setup with gestures
  1. How I play: Richie Hawtin Model-1 DJ Setup. Despite that this video has a solo marketing purpose for promoting the Model-1 mixer, it’s still nice to know what happening in the mind of such an experienced DJ as Richie Hawtin.
  2. Roland TB-303 vs. TT-303 vs. TB-3 vs. TB-03. Great audio and visual comparison of the legendary TB-303 with its modern reincarnations, made by ADSR. This might be useful especially for those who planning to buy one of these synthesizers.
  3. Everything you hear on film is a lie. Nice and entertaining insights at TED from sound effects designer Tasos Frantzolas on how our mind tricks us when we hearing sounds; most “authentic” sounds (to our ears and brain) are actually fake. Now every time I watch a rainy scene I hear crispy bacon.
  4. 7 Things I Wish Somebody Had Told Me About Releasing Music. It’s good to read a confirmation of what I’ve written about myself. Particularly, this part: “There are lots of labels out there who may offer to release your music, but the reality is, unless they’re really putting in some serious promotion efforts, and have a strong, well established fanbase who are keen to follow the label, and not just the producers they have released, then you’ll probably not see much come from it.”.

    And this: “Let’s face it, you’re highly unlikely to make enough to live on just from selling music. Those making money from music are doing LOADS more than just releasing. We’re talking releasing music, remixing, DJing or performing live, doing sample packs or patches, tutoring, licensing, producing for other people, running events, and more. And even then, some will be doing other things to supplement income that are not related to music.”

Time traveller’s archive — 10

Some stuff to read (and watch) on the weekend

Millennium Falcon. I love this ship since I was a kid.
  1. Millennium Falcon’s hyperdrive malfunction SFX. Nice and funny insights from sound designer Ben Burtt. It’s also a great example of the layering technique.
  2. The Truth About Popular Music. “The diversity of transitions between notes, chords, melodies, and other sounds has diminished over the last fifty years. [...] The study also found that producers are baking volume into songs at the production stage making them artificially louder. This over-compression has the effect of sucking all the dynamics out of a song. Everything is beginning to sound the same. [...] Now any stupid fucking bimbo or brain-dead twag can be dragged-off a reality show, chopped into a recording studio and have their shrill wobbling auto-tune for mass consumption.”
  3. The Biggest Home Studio Lie We Tell Ourselves. Good points from Graham Cochrane on being lazy: whether you’re composing, doing arrangement or mixing, never say “I’ll make it better later”. It’s like taking a bad picture on a smartphone hoping that Photoshop will fix it. You got to get it right in the first place.
  4. If you want to follow your dreams, you have to say no to all the alternatives. This is something I have problems with: I want to achieve so many goals, so sometimes I feel like I’m going nowhere. This article shows why you should focus on only one big dream in a funny visual way.

Time traveller’s archive — 9

Some stuff to read (and watch) on the weekend

Patrick Chen sharing insights about Psytrance scene
  1. Behind the Scenes: FM Booking. Some interesting insights from Patrick Chen: “In Psy scene, per an artist, DJ, or producer, the average price rate is about €2000 per gig. Nevertheless, prices can oscillate hugely. [...] price range can be from €500 up to €10 000 or €12 000, it all depends on the artist popularity. The most popular countries in Psy scene at this moment are Switzerland, France, Australia, Germany, Portugal, Israel. [...] There is something very important that an artist should have always: unique style”.
  2. D-Nox interview for Psymedia: “I run my labels to have a platform for my music or for my friend’s music. I don’t see it as a big business much more but rather as a space for the people I like.” Yet another confirmation of The truth about music sales I’ve written earlier.
  3. The Illusion of Truth, a nice talk from Veritasium about human psychology. I like this one: “The things we’re exposed to repeatedly feel more true”. It explains a lot of public figures.
  4. Will Music + DJ Gear Manufacturers Adopt USB-C?. It seems I will have to replace my old MacBook Pro for a newer model in the near future, so really hope to see a wider adoption of USB-C port among gear manufacturers.
2016   Music industry   Psy scene   Science   Time traveller's archive
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