Kick peaking 

 

A DJ’ing question for you. In most higher tempo mixes, specifically progressive / full-on psychedelic trance when the transition occurs and track A is filtered to bring in the lows and mids of track B, there is sometimes (not always) a peaking kick sound. It makes me think that it’d be a redline except i look and alas, I’m not redlining! Its as if the kicks are occurring at the exact same time causing some sort of audio peak.

    

My question for you is do you notice this as well, and if so what are some ways to alleviate this? I also am not sure if I am just going insane and imagining it because sometimes ill be listening to a single track and can still hear this kick peak! Thank you for reading, so much respect for what you do for the trance community!

    

Corey McL

    

Corey, I’m afraid I couldn’t tell you anything specific, as this issue might appear for several reasons. Some of them:

  • When the transition occurs, it is actually clipping. Some analog DJ mixers may not be fast enough to register small clipping on a volume meter.
  • Because of the equipment. I don’t know what piece of gear you’re mixing on, but I remember something similar could happen on the old CDJs-100.
  • Due to the mastering of a track itself. In this case, whatever you are mixing this track or just listening, such clipping will appear.
  • Because of the inaccurate beatmatching. A very small difference in tempo, like a few hundredths, could cause kicks shift relatively to each other which can give such sudden audio peaks. It especially true when we talking about high BPM, like in Fullon PsyTrance. In this case, the actual signal doesn’t necessary have to be louder (i.e. no actually clipping), but we may perceive it a “louder” sound.

I guess the last option is more possible.

Again, I don’t know the specific situation where you had experienced this issue, but I’ve tried to simulate it in the DAW. I’ve taken two random kicks from the popular “PsyTrance kit” and placed them into two audio channels. Let’s pretend that the channel “B” is a track playing on the dancefloor, and the channel “A” is a filtered track that you monitoring in the headphones:

If the channels are not beatmatched properly, during the mixing you’ll hear something like this:

Have you noticed these unpleasant peaks at the 5th, the 9th, and the 13th hit? In fact, they are even slightly quieter than the normal kicks due to phasing. But to our ears, they might sounds “louder” because they instantly caught attentions of our brain, thus during the mixing we might think it’s a clipping.

if this is what you experienced, it’s treatable very easily: just make sure you that have beatmatched tracks correctly if you’re playing on CDJs, or adjust the grid if you playing using software.

And finally, answering your question, — no, I don’t notice nor experience anything like that during the mixing :-)

   

P.S. This post is a part of the weekly “Advice” series. I’m happy to advise on such topics as production, performance, management, marketing, and design in the music industry and beyond. Send me your questions, too.

   
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