How to make smooth mixes
A quick guide to harmonic mixing
Daniel, I’m a huge fan of your mixes. How you do such flawless and smooth transitions? E.g. like at the first half of Rave Podcast 059 or your recent guest mix on Global Trance Grooves, you just nailed it, sometimes I can’t figure out when one track ends and another one starts LOL. Some advice will be appreciated.
James, good mixes are made of few components:
Tracks selection. This is something that very subjective, it’s purely up to your taste, feel, mood, and a story that you’re trying to tell. Digging and finding good and original tracks is a homework of every DJ, and this is probably the hardest part. Unfortunately, I can’t help here.
Beat matching. This is one of the core principles of DJing, and It used to be a quite tough thing. In order to master beatmatching on vinyl and CDs you had to do everyday practice, but digital era has changed it entirely. The sync button and grids alignment makes your tracks play beat-to-beat so easily, so I won’t stop on this either.
Harmonic mixing. Basically, this is a technique which shows how to mix the tracks in a specific way in order to achieve those smooth transitions as you’ve described. I listen to tons of various mixes, podcasts and radio show, and I’ve noticed that only very few DJs use this technique. So let’s go deeper over this one.
To get started with harmonic mixing, you have to find keys of your track. You can see keys on some DJ stores, like Beatport:
... or use a special software to analyze tracks on your computer. There are several such kinds of apps, but I’d recommend Mixed In Key as the best one. Mixed In Key scans your entire music collection and displays key results in their special way, named ‘Camelot Wheel’. Here is how it looks like:
There are two circles: the inner circle with Minor keys, and outer circle with Major. Most electronic dance music is written in Minor, so you will work with the inner circle mostly.
Now you need to know how keys are compatible with each other. That’s pretty simple, thanks to Camelot Wheel: compatibles are the same key ±1 one step to the left or right. For example, if our Track A is Am, to find a good Track B to mix with you have to look for Am, Em, or Dm keys, as highlighted on the screenshot:
Pretty much, that’s it! The transition between compatible tracks sounds smooth, pleasant and harmonic.
It is recommended to move only 1-side during the mix — either clockwise, either counter-clockwise. For instance, your harmonic mix could look like this: Fm → Fm → Cm → Cm → Gm → Gm → Dm → Dm → Am → Am.
Some more information and advanced techniques are available on the Camelot Sound website
I hope this is what you was looking for. If you have any questions, don’t hesitate to ask in the comments box below.
On cover image: myself playing in Moscow back in 2011. At that time I had no idea about harmonic mixing and mixed intuitively.
P.S. This post is a part of the weekly “Advice” series. I’m happy to advise on such topics as production, performance, management, marketing, and design in the music industry and beyond. Send me your questions, too.